Calbi, Maurizio
Calbi, Maurizio
Scienze Umanistiche
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Risultati 1 - 15 di 15 (tempo di esecuzione: 0.035 secondi).
Approximate Bodies. Gender and Power in Early Modern Drama and Anatomy
2005-01-01 CALBI Maurizio
Chasing Shakespeare: The Impurity of the “Not Quite” in Norry Niven’s From Above and Abbas Kiarostami’s Where Is My Romeo
2017-01-01 MAURIZIO CALBI
Exilic/Idyllic Shakespeare: Reiterating Pericles in Jacques Rivette’s Paris nous appartient
2015-01-01 Calbi Maurizio
Introduction: #SocialmediaShakespeares
2016-01-01 Calbi Maurizio; O’ Neill Stephen
Shakespeare a part: Scenes of Translation in Jean-Luc Godard's Bande a part and the Nouvelle Vague
2018-01-01 Maurizio Calbi
Shakespeare in the Extreme: Addiction, Ghosts and (Re)Mediation in Alexander Fodor’s Hamlet
2011-01-01 Maurizio Calbi
Spectral Shakespeares. Media Adaptations in the Twenty-First Century
2013-01-01 Maurizio Calbi
Staging Rhetoric: Reading The White Devil’s Trial Scene
2014-01-01 CALBI Maurizio
States of Exception: Auto-immunity and the Body Politic in Shakespeare’s Coriolanus
2010-01-01 Maurizio Calbi
The boundaries of citation and allusion: Shakespeare in Davide ferrario's Tutta colpa di giuda (2008), Alfredo Peyretti's Moana (2009), and Connie Macatuno's Rome and Juliet (2006)
2018-01-01 Maurizio Calbi
This England": Re-Visiting Shakespearean Landscapes and Mediascapes in John Akomfrah's the Nine Muses (2010)
2017-01-01 Calbi Maurizio
‘‘This is my home, too’’: Migration, spectrality and hospitality in Roberta Torre’s Sud Side Stori (2000)
2011-01-01 Maurizio Calbi
“Fear No More”: Gender Politics and the “Hell” of New Media Technologies in Michael Almereyda’s Cymbeline (2014)
2018-01-01 CALBI, M.
“In States Unborn and Accents Yet Unknown”: Spectral Shakespeare in Paolo and Vittorio Taviani’s Cesare deve morire (Caesar Must Die)
2014-01-01 Maurizio Calbi
“Speaking in Terror: Femininity, Monstrosity and ‘Race’ in Early Modern Culture”
2002-01-01 Calbi, Maurizio