This article is an analysis of Fodor's filmic version of Hamlet as simultaneously reverent and irreverent toward the canonical status of the Bard. It shows how Hamlet is being recycled by being brought into contact with contemporary citational environments, from pop music to drug culture.
Maurizio Calbi (2011). Shakespeare in the Extreme: Addiction, Ghosts and (Re)Mediation in Alexander Fodor’s Hamlet. LITERATURE FILM QUARTERLY, 39, 2, 85-98.
Shakespeare in the Extreme: Addiction, Ghosts and (Re)Mediation in Alexander Fodor’s Hamlet
Maurizio Calbi
2011-01-01
Abstract
This article is an analysis of Fodor's filmic version of Hamlet as simultaneously reverent and irreverent toward the canonical status of the Bard. It shows how Hamlet is being recycled by being brought into contact with contemporary citational environments, from pop music to drug culture.
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