The writer remarks the technological innovation and contamination developed at the first World’s Fair held in Asia. He analyzes issues and methods of the master plan for the Osaka EXPO ’70, through a critical reading of Pavillon Plaza and Festival Plaza designed by Kenzo Tange and Arata Isozaki the emblematic covered area, facing the central EXPO square, reminds the utopia of the 60th architecture.
Lecardane, R. (2013). ORIENTE E OCCIDENTE ALL'EXPO OSAKA 1970. In A. Sposito, A. Mangiarotti (a cura di), AGATHON, EAST-WEST: ARTISTIC AND TECHNOLOGICAL CONTAMINATIONS / ORIENTE-OCCIDENTE: CONTAMINAZIONI ARTISTICHE E TECNOLOGICHE / 東洋-西洋芸術や技術への影響について (pp. 79-84). Palermo : OffsetStudio.
ORIENTE E OCCIDENTE ALL'EXPO OSAKA 1970
LECARDANE, Renzo Antonio
2013-01-01
Abstract
The writer remarks the technological innovation and contamination developed at the first World’s Fair held in Asia. He analyzes issues and methods of the master plan for the Osaka EXPO ’70, through a critical reading of Pavillon Plaza and Festival Plaza designed by Kenzo Tange and Arata Isozaki the emblematic covered area, facing the central EXPO square, reminds the utopia of the 60th architecture.
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