After an introduction on the relevance of the written musical source in the Byzantine tradition of the Arbëresh minority in Sicily, the paper focuses on a small group of them containing multipart musics, mainly ison and biphonies. The paper explores, mostly, the performative aspects of these sources in the contemporary religious practices, and their symbolic relevance as part of a very specific musical and cultural identity.
Garofalo, G. (2012). Traces of ison and biphonies in Byzantine chant of Sicilian Arbëresh. In Multipart Music: a Specific Mode of Musical Thinking, Expressive Behaviour and Sound (pp. 301-321). Udine : Nota.
Traces of ison and biphonies in Byzantine chant of Sicilian Arbëresh
GAROFALO, Girolamo
2012-01-01
Abstract
After an introduction on the relevance of the written musical source in the Byzantine tradition of the Arbëresh minority in Sicily, the paper focuses on a small group of them containing multipart musics, mainly ison and biphonies. The paper explores, mostly, the performative aspects of these sources in the contemporary religious practices, and their symbolic relevance as part of a very specific musical and cultural identity.
| File | Dimensione | Formato | |
|---|---|---|---|
|
Garofalo ICTM Sardegna pdf.pdf
Solo gestori archvio
Dimensione
3.96 MB
Formato
Adobe PDF
|
3.96 MB | Adobe PDF | Visualizza/Apri Richiedi una copia |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
