Le tonalità emotive nel pensiero dell'appropriazione. La formazione dell'animo nel dolore come unità delle "Stimmungen".

With this article, the author’s aim is to examine the Heidegger’s theory of pain in "Das Ereignis". Starting from a delineation of the goals of the unpublished treatises and of the concept of "Ereignis", the author will first show the crucial role played by "Stimmungen" in the other beginning, through which Heidegger wants to think the Being differently from metaphysics; the author will do this highlighting all the conceptual and linguistic sperimentalism used by the German philosopher in such writings. At this point will be displayed how in "Das Ereignis", the last treatise, the pain emerges not only as the most important "Stimmung", but also as the unity of all attunements considered by Heidegger up to that moment. Finally, the author will illustrate how with the "Ereignis-Denken" is so at stake the formation of a thought founded on the heart and on the temperament (Gemüt), and not on a representative consciousness.