The article analyzes the Deposizione painting of Giovanni Patricolo from S. Caterina monastery in Palermo, a painting realized by a particular technique of artistic representation attested in the 19th century: the ‘trasparente’ paintings, a specific kind of ephemeral apparatuses. The focus of this study is to shed light on the practical functions and the chronological path of this work of art, connecting it with the specific executive technique of the manufact. Furthermore, this research was a preliminary study aimed at designing an appropriate intervention for the restoration and conservation of the painting and a proper valorization of this artwork.
Nanfa Giulia, C.C. (2022). THE DEPOSIZIONE PAINTING FROM S. CATERINA MONASTERY IN PALERMO, ITALY: A TECHNICAL STUDY ON A ‘TRASPARENTE’ PAINTING. In F. Palla, I. Rusu, L. Lanteri, C. Pelosi, N. Apostolescu (a cura di), ESRARC 2022 12th European Symposium on Religious Art, Restoration & Conservation, Proceedings book (pp. 136-139). Torino : Kermes - Lexis Compagnia Editoriale.
THE DEPOSIZIONE PAINTING FROM S. CATERINA MONASTERY IN PALERMO, ITALY: A TECHNICAL STUDY ON A ‘TRASPARENTE’ PAINTING
Nanfa Giulia;Costanzo Cristina;Chillura Martino Delia;Megna Bartolomeo;Sottile Sabrina;Tumminello Antonella
2022-09-01
Abstract
The article analyzes the Deposizione painting of Giovanni Patricolo from S. Caterina monastery in Palermo, a painting realized by a particular technique of artistic representation attested in the 19th century: the ‘trasparente’ paintings, a specific kind of ephemeral apparatuses. The focus of this study is to shed light on the practical functions and the chronological path of this work of art, connecting it with the specific executive technique of the manufact. Furthermore, this research was a preliminary study aimed at designing an appropriate intervention for the restoration and conservation of the painting and a proper valorization of this artwork.
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