In these pages we reflect in particular on the cultural meanings conveyed by Woody Allen's film Sleeper and on their recontextualization which took place in the two adaptations for the Italian public. More generally, we aim to reflect on the outcomes of the translation of comedy into cinema and to think about how it, more than other translation processes, involves the revision and, sometimes, the rewriting not only of single jokes and gags, but of entire dialogues, with the aim of recontextualizing those comic jokes and situations to the cultural milieu and social intersubjective practice of the audience for which the dialogues are translated
Marco Montagnino (2022). Il risveglio del dormiglione: alcune considerazioni sul film di W. Allen “Sleeper” e sui suoi adattamenti per il pubblico italiano. In R.M. Bellaccomo, S. Gennaro, M. Rosato, F. Sunseri (a cura di), Una risata non ci seppellirà. Ridere o piangere, tra leggerezza e paura, lingue e letterature, scritture e mass media (pp. 289-312). Palermo : Palermo University Press.
Il risveglio del dormiglione: alcune considerazioni sul film di W. Allen “Sleeper” e sui suoi adattamenti per il pubblico italiano
Marco Montagnino
2022-01-01
Abstract
In these pages we reflect in particular on the cultural meanings conveyed by Woody Allen's film Sleeper and on their recontextualization which took place in the two adaptations for the Italian public. More generally, we aim to reflect on the outcomes of the translation of comedy into cinema and to think about how it, more than other translation processes, involves the revision and, sometimes, the rewriting not only of single jokes and gags, but of entire dialogues, with the aim of recontextualizing those comic jokes and situations to the cultural milieu and social intersubjective practice of the audience for which the dialogues are translatedFile | Dimensione | Formato | |
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