In July 1943, the south-eastern coast of Sicily was the scene of the Allied military landings that led to the liberation of Italy and Europe from Nazi-fascism. The events of the Sicilian war were inevitably quite bloody and saw a high number of deaths of Italian, German and Anglo-American soldiers. Since the 1950s, the Commonwealth War Grave Commission and the Volksbund, in order to honour Allied and German soldiers who had fallen in battle, began the construction of several war cemeteries in Agira, Catania, Syracuse and Motta Sant'Anastasia. The first three, designed by Louis de Soissons, were intended for Canadian, British and Commonwealth soldiers respectively, and the fourth, by Diez Brandi, for German soldiers. The article narrates the architectural vicissitudes of the four war cemeteries by means of a route, full of memorial values and evocative landscapes, that from the hilly countryside of Agira, crossing the extra-moenia margins of Motta Sant'Anastasia and Catania, finally leads us to a few kilometres from Ortigia.

Nel luglio del 1943 la costa sud-orientale della Sicilia fu teatro dello sbarco attuato dalle forze militari Alleate da cui prende avvio la liberazione dal nazi-fascismo dell’Italia e dell’Europa. Gli eventi bellici siciliani furono inevitabilmente piuttosto cruenti e videro un numero elevato di morti di soldati italiani, tedeschi e dei militari delle forze anglo-americane. Sin dagli anni Cinquanta del ’900, la Commonwealth War Grave Commission e la Volksbund, al fine di onorare i militari Alleati e tedeschi caduti in battaglia, avviarono la realizzazione di diversi cimiteri di guerra tra Agira, Catania, Siracusa e Motta Sant’Anastasia. I primi tre, progettati da Louis de Soissons, destinati, rispettivamente, ai soldati canadesi, inglesi e del Commonwealth, e il quarto, opera di Diez Brandi, ai militari tedeschi. L’articolo narra le vicende architettoniche dei 4 cimiteri di guerra mediante un percorso, carico di valori memoriali e di suggestioni paesaggistiche, che dalla campagna collinosa di Agira, attraversando i margini extra-moenia di Motta Sant’Anastasia e di Catania, ci conduce, infine, a pochi chilometri da Ortigia.

Di Benedetto, G. (2022). Entre moneo e memini : arquitectura funeraria militar en el sureste de Sicilia. PROYECTO Y CIUDAD, 13, 123-138.

Entre moneo e memini : arquitectura funeraria militar en el sureste de Sicilia

Di Benedetto, Giuseppe
2022-01-01

Abstract

In July 1943, the south-eastern coast of Sicily was the scene of the Allied military landings that led to the liberation of Italy and Europe from Nazi-fascism. The events of the Sicilian war were inevitably quite bloody and saw a high number of deaths of Italian, German and Anglo-American soldiers. Since the 1950s, the Commonwealth War Grave Commission and the Volksbund, in order to honour Allied and German soldiers who had fallen in battle, began the construction of several war cemeteries in Agira, Catania, Syracuse and Motta Sant'Anastasia. The first three, designed by Louis de Soissons, were intended for Canadian, British and Commonwealth soldiers respectively, and the fourth, by Diez Brandi, for German soldiers. The article narrates the architectural vicissitudes of the four war cemeteries by means of a route, full of memorial values and evocative landscapes, that from the hilly countryside of Agira, crossing the extra-moenia margins of Motta Sant'Anastasia and Catania, finally leads us to a few kilometres from Ortigia.
2022
Settore ICAR/14 - Composizione Architettonica E Urbana
Di Benedetto, G. (2022). Entre moneo e memini : arquitectura funeraria militar en el sureste de Sicilia. PROYECTO Y CIUDAD, 13, 123-138.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10447/564409
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