The “controversy over the Yanomami” has affected central issues, both epistemological and ethical and political, for the discipline and practice of anthropology, particularly concerning the ethics of field research; the way to use research data to support certain theoretical hypotheses; the relationships between popularization and politicization of research and, more generally, the responsibility of anthropologists with respect to both the uses of their studies in the public sphere and towards the human subjects with whom they work. In this article, I examine some key moments of the “controversy”. In particular, I try to reconstruct the way in which the image of the Yanomami as the “last primitive society” was initially consolidated, inside and outside anthropology, and, in this sense, I compare the ethnographies of Chagnon and Lizot. In the paper, I also place particular emphasis on the different ways in which ethnographers have textually marked their positioning in the field as “proof” of the “authenticity” of their representations of the Yanomami world. In the last part, I summarize the effects of the “media storm” on American anthropology, which were caused by the accusations of ethically inappropriate, if not completely execrable, behavior addressed to Chagnon and Lizot in Darkness in El Dorado, the book-report by journalist Patrick Tierney.

Mancuso Alessandro (2021). Critica scientifica, popolarizzazione dell’etnografia ed etica dell’antropologo: sulla “controversia yanomami”, per esempio. ARCHIVIO ANTROPOLOGICO MEDITERRANEO, 23(1), 1-61 [10.4000/aam.3728].

Critica scientifica, popolarizzazione dell’etnografia ed etica dell’antropologo: sulla “controversia yanomami”, per esempio

Mancuso Alessandro
2021-06-01

Abstract

The “controversy over the Yanomami” has affected central issues, both epistemological and ethical and political, for the discipline and practice of anthropology, particularly concerning the ethics of field research; the way to use research data to support certain theoretical hypotheses; the relationships between popularization and politicization of research and, more generally, the responsibility of anthropologists with respect to both the uses of their studies in the public sphere and towards the human subjects with whom they work. In this article, I examine some key moments of the “controversy”. In particular, I try to reconstruct the way in which the image of the Yanomami as the “last primitive society” was initially consolidated, inside and outside anthropology, and, in this sense, I compare the ethnographies of Chagnon and Lizot. In the paper, I also place particular emphasis on the different ways in which ethnographers have textually marked their positioning in the field as “proof” of the “authenticity” of their representations of the Yanomami world. In the last part, I summarize the effects of the “media storm” on American anthropology, which were caused by the accusations of ethically inappropriate, if not completely execrable, behavior addressed to Chagnon and Lizot in Darkness in El Dorado, the book-report by journalist Patrick Tierney.
giu-2021
Settore M-DEA/01 - Discipline Demoetnoantropologiche
Mancuso Alessandro (2021). Critica scientifica, popolarizzazione dell’etnografia ed etica dell’antropologo: sulla “controversia yanomami”, per esempio. ARCHIVIO ANTROPOLOGICO MEDITERRANEO, 23(1), 1-61 [10.4000/aam.3728].
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10447/527231
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