What is the point of talking about the ancient, relating to the ancient, at the end of the seventies, in a context like that of poetry written in Rome? The article inve- stigates this theme by framing it in the life and experience of a yearbook-magazine such as «Prato pagano», active between 1979 and 1987 and the result of a collective and anonymous editorial work. The result is the image of a poetic group which aimed at recovering not nostalgically the instan- ces of the ancient but rather at hoarding them in new forms, in fact opening a four- th way to experimentation in verses of that period, marked by political unrest, subjec- tive focus, mannerisms .
Roberto Deidier (2020). L'antico inattuale. TICONTRE, XIV, 1-7.
L'antico inattuale
Roberto Deidier
2020-01-01
Abstract
What is the point of talking about the ancient, relating to the ancient, at the end of the seventies, in a context like that of poetry written in Rome? The article inve- stigates this theme by framing it in the life and experience of a yearbook-magazine such as «Prato pagano», active between 1979 and 1987 and the result of a collective and anonymous editorial work. The result is the image of a poetic group which aimed at recovering not nostalgically the instan- ces of the ancient but rather at hoarding them in new forms, in fact opening a four- th way to experimentation in verses of that period, marked by political unrest, subjec- tive focus, mannerisms .File | Dimensione | Formato | |
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