This paper focuses on the reception of Giacomo Meyerbeer's Le prophète in Italy during the Nineteenth Century. It is divided in two parts: the first deals briefly with general issues about Meyerbeer’s reception in Italy, in order to provide a context to the discussion about Le Prophète. In the second part I’ll begin with some statistics about Le Prophète’s performances in Italy; I’ll go on discussing some relevant performances such as the Italian première in Florence, and the Turin’s and Parma’s productions. I’ll also discuss some examples of Meyerbeer’s criticism in the Italian press.
Tedesco, A. (2009). Le prophète in Italy. In M. Brzoska (a cura di), Giacomo Meyerbeer: Le Prophète. Edition - Konzeption - Rezeption. Bericht zum Internationalen Kongress / Actes du Colloque international, 13. - 16. Mai 2007 Folkwang-Hochschule Essen-Werden. (pp. 565-602). Hildesheim Zurich New York : George Olms Verlag.
Le prophète in Italy
TEDESCO, Anna
2009-01-01
Abstract
This paper focuses on the reception of Giacomo Meyerbeer's Le prophète in Italy during the Nineteenth Century. It is divided in two parts: the first deals briefly with general issues about Meyerbeer’s reception in Italy, in order to provide a context to the discussion about Le Prophète. In the second part I’ll begin with some statistics about Le Prophète’s performances in Italy; I’ll go on discussing some relevant performances such as the Italian première in Florence, and the Turin’s and Parma’s productions. I’ll also discuss some examples of Meyerbeer’s criticism in the Italian press.
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