The essay examines the relationship between the built and its regeneration. We are too often led to believe that contemporaneity lies only in manufactured products that are devised ex-novo, built as an expression of the languages belonging to the school of the archistars; but, as an alternative, with a skillful employment of various technologies, it is possible to think over and turn, once again, functioning the already experienced places, allowing the interventions to be reversible, in a continuous relationship between order and disorder, in which the first is method and project, while the second represents the chaos of the existent.
Il saggio indaga sul rapporto fra costruito e sua rigenerazione. Troppo spesso siamo portati a ritenere che la contemporaneità risieda solo nei manufatti pensati ex-novo, costruiti ad espressione dei linguaggi appartenenti alla scuola delle archistars; in alternativa, però, con l’uso sapiente di tecnologie differenti è possibile ripensare e rifunzionalizzare i luoghi del già vissuto, rendendo gli interventi reversibili, in un continuo rapporto fra ordine e disordine , dove il primo è metodo e progetto, mentre il secondo è il caos dell’esistente.
Angelico, E. (2017). In ambiente storico, progettare con ordine un apparente disordine In an historic environment, design with order an ostensible disorder. AGATHÓN, 01/2017, 83-88 [10.19229/2464-9309/1132017].
In ambiente storico, progettare con ordine un apparente disordine In an historic environment, design with order an ostensible disorder
Angelico, EmanueleResources
2017-01-01
Abstract
The essay examines the relationship between the built and its regeneration. We are too often led to believe that contemporaneity lies only in manufactured products that are devised ex-novo, built as an expression of the languages belonging to the school of the archistars; but, as an alternative, with a skillful employment of various technologies, it is possible to think over and turn, once again, functioning the already experienced places, allowing the interventions to be reversible, in a continuous relationship between order and disorder, in which the first is method and project, while the second represents the chaos of the existent.
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