The article offers some reflections on the body-space relationship through images, graphic translations and visual studies that converge into a contemporary digital illuminated avant-garde of the fourth virtual dimension. Starting from the study of the Soviet coreutics of the 1920s and the biomechanics of multimedia performances, it moves on the cinesthetic suggestions and to the dance theorization integrated with the musical score. Finally, some contemporary forms of digital image production are taken into account by addressing a number of issues regarding the exploration of the object-image and its experiential re-elaboration through the production of new graphic knowledge.
Vattano, S. (2017). Dynamic Perception of Plastic Movements: Biomechanics and Digital Artifacts. In International and Interdisciplinary Conference IMMAGINI? Image and Imagination between Representation, Communication, Education and Psychology (pp.1-11). Basel : MDPI [10.3390/proceedings1090871].
Dynamic Perception of Plastic Movements: Biomechanics and Digital Artifacts
Vattano Starlight
2017-01-01
Abstract
The article offers some reflections on the body-space relationship through images, graphic translations and visual studies that converge into a contemporary digital illuminated avant-garde of the fourth virtual dimension. Starting from the study of the Soviet coreutics of the 1920s and the biomechanics of multimedia performances, it moves on the cinesthetic suggestions and to the dance theorization integrated with the musical score. Finally, some contemporary forms of digital image production are taken into account by addressing a number of issues regarding the exploration of the object-image and its experiential re-elaboration through the production of new graphic knowledge.
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