Soft Cinema: Navigating the Database is the result of a theoretical and artistic research conducted by Lev Manovich and Andreas Kratky with the aim of investigating the possibilities of cinema in the era of new digital technologies. The semi-automatic process of film-making that drives Soft Cinema depicts important aspects regarding the functioning of the software, algorithms and electro-computational automation. The essay, by extending the theoretical reflection of the authors, shows how these aspects play a crucial role in the development of new digital technologies and their relationship with contemporary capitalism.

Cinquemani, L. (2015). Soft Cinema: creatività, software e automazione. FATA MORGANA, 26(26), 319-325.

Soft Cinema: creatività, software e automazione

Cinquemani, Luca
2015-01-01

Abstract

Soft Cinema: Navigating the Database is the result of a theoretical and artistic research conducted by Lev Manovich and Andreas Kratky with the aim of investigating the possibilities of cinema in the era of new digital technologies. The semi-automatic process of film-making that drives Soft Cinema depicts important aspects regarding the functioning of the software, algorithms and electro-computational automation. The essay, by extending the theoretical reflection of the authors, shows how these aspects play a crucial role in the development of new digital technologies and their relationship with contemporary capitalism.
2015
Settore L-ART/06 - Cinema, Fotografia E Televisione
Settore SPS/01 - Filosofia Politica
Cinquemani, L. (2015). Soft Cinema: creatività, software e automazione. FATA MORGANA, 26(26), 319-325.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10447/151831
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