Most ofthe historical paints are mainly constituted by inorganic pigments, either pure or mixed, spread on the surfaces using different binding agents. The knowledge ofthe exact amount of different constituents of the paint, as well as ofthe mixing and pictorialtechniques, is crucial for a careful program of conservation of polychrome works. Moreover, since the availability of these pigments has been changing through the centuries, their identification and chemical characterisation is useful to acquire or deepen information aboutthe artist and his/her work. This information can also be useful for authentication purposes through relative dating because the identification of one pigment respect to another one can be used as a terminus post quem or ante quem the artwork was realized. In this work, X-ray fluorescence data from historical pigments, both pure and mixed, will be presented, in order to obtain quantitative information on the samples and to extract calibration curves to the aim of evaluating the pigment concentration in unknown mixtures.
Fontana, D., Alberghina, M., Barraco, R., Basile, S., Brai, M., Gueli, A., et al. (2014). Historical pigments characterisation by quantitative X-ray fluorescence. JOURNAL OF CULTURAL HERITAGE, 15, 266-274 [10.1016/j.culher.2013.07.001].
Historical pigments characterisation by quantitative X-ray fluorescence
FONTANA, Dorotea;ALBERGHINA, Maria;BARRACO, Rosita Maria Luisa;BASILE, Salvatore;BRAI, Maria;TRANCHINA, Luigi
2014-01-01
Abstract
Most ofthe historical paints are mainly constituted by inorganic pigments, either pure or mixed, spread on the surfaces using different binding agents. The knowledge ofthe exact amount of different constituents of the paint, as well as ofthe mixing and pictorialtechniques, is crucial for a careful program of conservation of polychrome works. Moreover, since the availability of these pigments has been changing through the centuries, their identification and chemical characterisation is useful to acquire or deepen information aboutthe artist and his/her work. This information can also be useful for authentication purposes through relative dating because the identification of one pigment respect to another one can be used as a terminus post quem or ante quem the artwork was realized. In this work, X-ray fluorescence data from historical pigments, both pure and mixed, will be presented, in order to obtain quantitative information on the samples and to extract calibration curves to the aim of evaluating the pigment concentration in unknown mixtures.File | Dimensione | Formato | |
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