This chapter explores the movement between literary space, graphic representation, and physical experience. Drawing is approached as an interpretative and generative act through which narratives and imaginaries become spatial forms, and visual representations become narratives in turn. Rather than simply transcribing space, representation actively constructs it, engaging imagination, perception, and affect. Across different practices and disciplines, drawing emerges as a medium of translation between written language, graphic sign, and experienced space.
Garofalo, V. (2026). From literary to physical experience. Drawing as an Act of Translation. In A.S. Cardoso, G. Leandri, J. Simões, M. Milano, R. Chaves, V. Garofalo (a cura di), IDEA 2026. International Congress on Innovation, Design and Application (pp. 11-11). esad—idea, Research in Design and Art.
From literary to physical experience. Drawing as an Act of Translation
Garofalo, Vincenza
2026-01-01
Abstract
This chapter explores the movement between literary space, graphic representation, and physical experience. Drawing is approached as an interpretative and generative act through which narratives and imaginaries become spatial forms, and visual representations become narratives in turn. Rather than simply transcribing space, representation actively constructs it, engaging imagination, perception, and affect. Across different practices and disciplines, drawing emerges as a medium of translation between written language, graphic sign, and experienced space.
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