This study aims to examine the dual role of music: firstly, as an instrument of power, used to promote the objectives of authoritarian regimes in 20th century Iran; secondly, as a means of popular protest against dictatorship. The research highlights a profound contradiction between the restrictions imposed on citizens’ musical activities and the regimes’ inability to renounce its use, thus offering a reflection on the role of music in the relationship between Authority and Freedom and its ability to reflect its evolution.
De Grazia, L. (2026). Il duplice ruolo della musica come strumento di politicizzazione e di sovversione nell'esperienza iraniana. In G. Grasso, R. Tarchi, L. Testa (a cura di), Tradizioni giuridiche e musica: momenti e snodi di una possibile interazione, vol 2 (pp. 609-641). Napoli : Editoriale Scientifica.
Il duplice ruolo della musica come strumento di politicizzazione e di sovversione nell'esperienza iraniana
De Grazia, Luciana
2026-01-01
Abstract
This study aims to examine the dual role of music: firstly, as an instrument of power, used to promote the objectives of authoritarian regimes in 20th century Iran; secondly, as a means of popular protest against dictatorship. The research highlights a profound contradiction between the restrictions imposed on citizens’ musical activities and the regimes’ inability to renounce its use, thus offering a reflection on the role of music in the relationship between Authority and Freedom and its ability to reflect its evolution.
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Descrizione: IL DUPLICE RUOLO DELLA MUSICA COME STRUMENTO DI POLITICIZZAZIONE E DI SOVVERSIONE NELL’ESPERIENZA IRANIANA
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