After illustrating the St. Angela of Foligno’s Liber key-features, the author intends to highlight the relationship between a spectrum of text passages and iconography. By tracing both themes and motifs that stand out in the frame of the figurative representations (such as stained glass windows, frescoes and crucifixes), it seems reliable that images applied a modelling influence on the mystical imagination, revealing thus a close overlapping of expressive codes.
Zangari, M. (2025). «Sicut pictor pingens».Il 'Liber' di Angela da Foligno (1348-1309) e l'igonografia. LATINITAS, 2, 23-48.
«Sicut pictor pingens».Il 'Liber' di Angela da Foligno (1348-1309) e l'igonografia
Mattia ZANGARI
2025-01-01
Abstract
After illustrating the St. Angela of Foligno’s Liber key-features, the author intends to highlight the relationship between a spectrum of text passages and iconography. By tracing both themes and motifs that stand out in the frame of the figurative representations (such as stained glass windows, frescoes and crucifixes), it seems reliable that images applied a modelling influence on the mystical imagination, revealing thus a close overlapping of expressive codes.
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