In Alina Marazzi’s work, the autobiographical impulse remains a constant, while intimate forms of writing engage with the female experience in an attempt to convey its complexities. The combination of fictional and non-fictional materials through which the experience of motherhood is narrated transforms subjective storytelling into a form of collective writing, capable of acquiring universal resonance precisely because it is filtered through the textures of personal experience.
Busetta, L. (2016). Tutto parla di te: tracce memoriali e scrittura soggettiva nel cinema di Alina Marazzi. BN(582-583), 53-59.
Tutto parla di te: tracce memoriali e scrittura soggettiva nel cinema di Alina Marazzi
Laura Busetta
2016-01-01
Abstract
In Alina Marazzi’s work, the autobiographical impulse remains a constant, while intimate forms of writing engage with the female experience in an attempt to convey its complexities. The combination of fictional and non-fictional materials through which the experience of motherhood is narrated transforms subjective storytelling into a form of collective writing, capable of acquiring universal resonance precisely because it is filtered through the textures of personal experience.File in questo prodotto:
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