This article analyses Enzo Mari's Lezioni di disegno–a pencil-drawn iconotext produced during a workshop at the Politecnico di Milano in 2007 –as a cognitive device that interweaves text and image in a hybrid and generative form. Through the concept of disegno corsivo(cursive drawing), Mari develops a pedagogy of the imagination as a response to the risk of dulling creative faculties in an era of image overproduction, a concern already raised by Italo Calvino in his Six Memos for the Next Millennium. Drawing on Mitchell, Baumgarten, and Noë, the essay argues that thinking with a pencil in hand is not merely a representation of speech but a cognitive posture that, through the hybridisation of writing and image, renders the full richness of thought and revives Mari's broader project of self-design.

Crescimanno, E. (2026). Pensare con la matita in mano. Il disegno corsivo nelle Lezioni di disegno di Enzo Mari. PIANO B, 10(1), 150-167 [10.60923/issn.2531-9876/21955].

Pensare con la matita in mano. Il disegno corsivo nelle Lezioni di disegno di Enzo Mari

Crescimanno Emanuele
2026-05-04

Abstract

This article analyses Enzo Mari's Lezioni di disegno–a pencil-drawn iconotext produced during a workshop at the Politecnico di Milano in 2007 –as a cognitive device that interweaves text and image in a hybrid and generative form. Through the concept of disegno corsivo(cursive drawing), Mari develops a pedagogy of the imagination as a response to the risk of dulling creative faculties in an era of image overproduction, a concern already raised by Italo Calvino in his Six Memos for the Next Millennium. Drawing on Mitchell, Baumgarten, and Noë, the essay argues that thinking with a pencil in hand is not merely a representation of speech but a cognitive posture that, through the hybridisation of writing and image, renders the full richness of thought and revives Mari's broader project of self-design.
4-mag-2026
Settore PHIL-04/A - Estetica
Crescimanno, E. (2026). Pensare con la matita in mano. Il disegno corsivo nelle Lezioni di disegno di Enzo Mari. PIANO B, 10(1), 150-167 [10.60923/issn.2531-9876/21955].
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10447/705409
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