The landscape is a complex cultural phenomenon — not merely an object of contemplation or a backdrop to daily life but an active element that interacts with communities and helps shape their identity. Following an introduction to the concept of landscape and “cultural landscape,” along with a brief overview of aesthetic perspectives developed in the United States and Europe, this essay focuses on the German philosopher Gernot Böhme’s theory of atmospheres. An atmosphere is not only the result of synesthetic perception; it can also be artificially created, not only through natural and architectural elements — as landscape architects do — but also through media such as literature, photography, and cinema. In its final section, the essay examines, through the lens of “atmospherography” — the study of how media construct atmospheres — some Sicilian atmospheres shaped by cinematic and television imaginaries. Through this exploration, the essay aims to demonstrate how films and TV series do more than merely represent Sicily; they stage it, generating atmospheres that shape collective imagination and influence the very relationship with the landscape.
Il paesaggio è un complesso fenomeno culturale — non semplicemente un oggetto di contemplazione o uno sfondo della vita quotidiana, ma un elemento attivo che interagisce con le comunità e contribuisce a plasmarne l’identità. Dopo un’introduzione al concetto di paesaggio e di “paesaggio culturale”, insieme a una breve panoramica delle prospettive estetiche sviluppatesi negli Stati Uniti e in Europa, il saggio si concentra sulla teoria delle atmosfere del filosofo tedesco Gernot Böhme. L’atmosfera non è soltanto il risultato di una percezione sinestetica; può essere anche artificialmente creata, non solo attraverso elementi naturali e architettonici — come fanno i paesaggisti — ma anche tramite media quali la letteratura, la fotografia e il cinema. Nella sezione conclusiva, il saggio esamina, attraverso la lente dell’“atmosferografia” — lo studio di come i media costruiscono le atmosfere — alcune atmosfere siciliane modellate dagli immaginari cinematografici e televisivi. Questa esplorazione intende mostrare come film e serie TV non si limitino a rappresentare la Sicilia, ma la mettano in scena, generando atmosfere che plasmano l’immaginario collettivo e influenzano il rapporto stesso con il paesaggio.
Di Stefano, E. (2025). Narrating the Landscape, Creating Atmospheres: Sicily Through the Screen. In S. Radnóti, A. Wessely, E. Reményi (a cura di), To bring philosophy out of closets and libraries, schools and colleges. Ünnepi kötet Szécsényi Endre 60. születésnapjára. Liber amicorum for Endre Szécsényi. (pp. 295-310). Budapest : Szerzők.
Narrating the Landscape, Creating Atmospheres: Sicily Through the Screen
Elisabetta Di Stefano
2025-09-01
Abstract
The landscape is a complex cultural phenomenon — not merely an object of contemplation or a backdrop to daily life but an active element that interacts with communities and helps shape their identity. Following an introduction to the concept of landscape and “cultural landscape,” along with a brief overview of aesthetic perspectives developed in the United States and Europe, this essay focuses on the German philosopher Gernot Böhme’s theory of atmospheres. An atmosphere is not only the result of synesthetic perception; it can also be artificially created, not only through natural and architectural elements — as landscape architects do — but also through media such as literature, photography, and cinema. In its final section, the essay examines, through the lens of “atmospherography” — the study of how media construct atmospheres — some Sicilian atmospheres shaped by cinematic and television imaginaries. Through this exploration, the essay aims to demonstrate how films and TV series do more than merely represent Sicily; they stage it, generating atmospheres that shape collective imagination and influence the very relationship with the landscape.| File | Dimensione | Formato | |
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