This essay explores the relationship between biodiversity and the art of living through the lens of food, understood as both an aesthetic and environmental experience. It begins by examining the current biodiversity crisis and the proliferation of industrial food systems, which contribute to unsustainable and unhealthy lifestyles. The aesthetic dimension of eating is then analyzed in light of “aesthetic capitalism” (Böhme) and the greenwashing practices it often entails. Within the theoretical framework of Everyday Aesthetics (Berleant, Saito), the essay proposes an alternative food culture and experience grounded in the concepts of engagement and care. Drawing on the Greek notion of diaita — understood not simply as a dietary regimen but as a harmonious and mindful way of life —the essay reinterprets gastronomic experience as an embodied and situated aesthetic practice, capable of integrating sensoriality, ethics, and sustainability. In this sense, nourishment is no longer reduced to a consumable object but is redefined as a form of aisthesis: a mode of sensitive knowledge that respects and fosters both natural and cultural biodiversity.
Il saggio indaga il rapporto tra biodiversità e arte del vivere attraverso la prospettiva del cibo, inteso al tempo stesso come esperienza estetica e ambientale. Si apre con l’analisi dell’attuale crisi della biodiversità e della diffusione dei sistemi alimentari industriali, responsabili di stili di vita insostenibili e poco salutari. La dimensione estetica del mangiare viene quindi esaminata alla luce del concetto di “capitalismo estetico” (Böhme) e delle pratiche di greenwashing che spesso lo caratterizzano. Nel quadro teorico dell’Estetica quotidiana (Berleant, Saito), il saggio propone una cultura e un’esperienza alimentare alternative, fondate sui principi del coinvolgimento e della cura. Riprendendo la nozione greca di diaita — intesa non soltanto come regime dietetico, ma come forma di vita armoniosa e consapevole — l’esperienza gastronomica viene reinterpretata come pratica estetica incarnata e situata, capace di integrare sensorialità, etica e sostenibilità. In questa prospettiva, il nutrimento non si riduce a mero oggetto di consumo, ma viene ridefinito come forma di aisthesis: un sapere sensibile che riconosce, rispetta e promuove la biodiversità, tanto naturale quanto culturale.
Di Stefano, E. (2025). BIODIVERSITY AND THE ART OF LIVING. FOOD AS AN AESTHETIC AND ENVIRONMENTAL EXPERIENCE. ITINERA(29), 102-117 [10.54103/2039-9251/29672].
BIODIVERSITY AND THE ART OF LIVING. FOOD AS AN AESTHETIC AND ENVIRONMENTAL EXPERIENCE
Elisabetta di stefano
2025-09-01
Abstract
This essay explores the relationship between biodiversity and the art of living through the lens of food, understood as both an aesthetic and environmental experience. It begins by examining the current biodiversity crisis and the proliferation of industrial food systems, which contribute to unsustainable and unhealthy lifestyles. The aesthetic dimension of eating is then analyzed in light of “aesthetic capitalism” (Böhme) and the greenwashing practices it often entails. Within the theoretical framework of Everyday Aesthetics (Berleant, Saito), the essay proposes an alternative food culture and experience grounded in the concepts of engagement and care. Drawing on the Greek notion of diaita — understood not simply as a dietary regimen but as a harmonious and mindful way of life —the essay reinterprets gastronomic experience as an embodied and situated aesthetic practice, capable of integrating sensoriality, ethics, and sustainability. In this sense, nourishment is no longer reduced to a consumable object but is redefined as a form of aisthesis: a mode of sensitive knowledge that respects and fosters both natural and cultural biodiversity.| File | Dimensione | Formato | |
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