The study of Dubrovnik urban image through history and of the self-representation strategies of the Ragusan Republic can count on an extraordinary range of visual testimonies of a devotional nature. As part of a wider artistic production, the paper focuses on a selection of art works dating between 15th and 16th centuries. By doing a comparative analysis, the paper intends to disclose the messages conveyed through them, tightly linking the image of the Adriatic city-state to that of its patron saint
Garofalo, E. (2025). Ragusa (Dubrovnik) e san Biagio: rappresentazioni di una Repubblica di frontiera (XV-XVI secolo). In G. Sala (a cura di), Oltre lo sguardo / Beyond the Gaze. Vol. 6: La città rappresentata / The represented city (pp. 97-108). Torino : Aisu International.
Ragusa (Dubrovnik) e san Biagio: rappresentazioni di una Repubblica di frontiera (XV-XVI secolo)
Garofalo, Emanuela
2025-01-01
Abstract
The study of Dubrovnik urban image through history and of the self-representation strategies of the Ragusan Republic can count on an extraordinary range of visual testimonies of a devotional nature. As part of a wider artistic production, the paper focuses on a selection of art works dating between 15th and 16th centuries. By doing a comparative analysis, the paper intends to disclose the messages conveyed through them, tightly linking the image of the Adriatic city-state to that of its patron saint
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