The National Gallery of Sicily, inaugurated in Palermo on June 23, 1954, is a musicographic masterpiece by Carlo Scarpa, who in less than a year designed a narrative and spatial itinerary uniting past and present. The fulcrum of the project is the “new staircase”, an architectural element that connects the main floor to the ground floor, revealing a spatial sequence designed to enhance the memory of the place and the dialogue between works and architecture. With hexagonal steps in Carini stone, the staircase is a vertical connection device that integrates aesthetics and function. On the ground floor, the room with the new staircase houses the sixteenth century statues of the Holy Bishop and Saint John the Baptist, which guide the gaze towards the internal courtyard. This space exemplifies the Scarpa method: calibrated, evocative, in the balance between artisan tradition and innovation, with perspective openings and plays of light that invite timeless sensorial and cultural reflection.
La Galleria Nazionale della Sicilia, inaugurata a Palermo il 23 giugno 1954, è un capolavoro museografico di Carlo Scarpa, che in meno di un anno progettò un percorso narrativo e spaziale unendo passato e presente. Fulcro del progetto è la “scala nuova”, un elemento architettonico che collega il piano nobile al piano terra, rivelando una sequenza spaziale pensata per esaltare la memoria del luogo e il dialogo tra opere e architettura. Con gradini esagonali in pietra di Carini, la scala è un dispositivo di connessione verticale che integra estetica e funzione. Al piano terra, la sala della scala nuova ospita le statue cinquecentesche di Santo Vescovo e San Giovanni Battista, che guidano lo sguardo verso la corte interna. Questo spazio esemplifica il metodo scarpiano: calibrato, evocativo, in equilibrio tra tradizione artigianale e innovazione, con varchi prospettici e giochi di luce che invitano a una riflessione sensoriale e culturale senza tempo.
Giunta, S. (2024). Carlo Scarpa and the Hexagonal Stone. The New Staircase and the Ground Floor Sculptures at the Gallery of Palazzo Abatellis. In A. Antista (a cura di), Sicilian Lithics. Between built heritage and contemporareity (pp. 158-183). Siracusa : LetteraVentidue.
Carlo Scarpa and the Hexagonal Stone. The New Staircase and the Ground Floor Sculptures at the Gallery of Palazzo Abatellis
Giunta, Santo
2024-01-01
Abstract
The National Gallery of Sicily, inaugurated in Palermo on June 23, 1954, is a musicographic masterpiece by Carlo Scarpa, who in less than a year designed a narrative and spatial itinerary uniting past and present. The fulcrum of the project is the “new staircase”, an architectural element that connects the main floor to the ground floor, revealing a spatial sequence designed to enhance the memory of the place and the dialogue between works and architecture. With hexagonal steps in Carini stone, the staircase is a vertical connection device that integrates aesthetics and function. On the ground floor, the room with the new staircase houses the sixteenth century statues of the Holy Bishop and Saint John the Baptist, which guide the gaze towards the internal courtyard. This space exemplifies the Scarpa method: calibrated, evocative, in the balance between artisan tradition and innovation, with perspective openings and plays of light that invite timeless sensorial and cultural reflection.File | Dimensione | Formato | |
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