Nietzsches writings, in which he favored the aphorism as the expressive form of his thought, are inevitably fragmentary. This artice aims to attempt a reading of Nietzsches style of writing that doesn't exclude its complexity and potential contradiction. In order to do this, the attempt is to look at his writing using the labyrinth as a privileged hermeneutic figure, thus resorting to myth and its figures, used by Nietzsche himself in his works.

Giulia Ferrara (2024). «Lento, traviante labirinto». La scrittura di Friedrich Nietzsche. ESTETICA. STUDI E RICERCHE, 14(1), 119-136 [10.14648/114392].

«Lento, traviante labirinto». La scrittura di Friedrich Nietzsche

Giulia Ferrara
2024-01-01

Abstract

Nietzsches writings, in which he favored the aphorism as the expressive form of his thought, are inevitably fragmentary. This artice aims to attempt a reading of Nietzsches style of writing that doesn't exclude its complexity and potential contradiction. In order to do this, the attempt is to look at his writing using the labyrinth as a privileged hermeneutic figure, thus resorting to myth and its figures, used by Nietzsche himself in his works.
2024
Settore PHIL-01/A - Filosofia teoretica
Giulia Ferrara (2024). «Lento, traviante labirinto». La scrittura di Friedrich Nietzsche. ESTETICA. STUDI E RICERCHE, 14(1), 119-136 [10.14648/114392].
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10447/658896
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