This paper explores Tom Stoppard's distinctive use of intertextuality, examining how he bridges canonical literature with avant-garde elements to create complex, multi-layered theatrical experiences. By analyzing key works such as *Rosencrantz and Guildenstern Are Dead*, the study aims to illustrate how Stoppard's intertextual approach not only redefines the boundaries of traditional narratives but also challenges audiences to engage with literature and philosophy in innovative ways.

Sciarrino, C. (2024). Tom Stoppard e il professional fool tra canone e avanguardia.. In G. Benelli (a cura di), Annali dell'Istituto Armando Curcio (pp. 159-179). Istituto Armando Curcio University Press.

Tom Stoppard e il professional fool tra canone e avanguardia.

Sciarrino, C.
Primo
2024-05-01

Abstract

This paper explores Tom Stoppard's distinctive use of intertextuality, examining how he bridges canonical literature with avant-garde elements to create complex, multi-layered theatrical experiences. By analyzing key works such as *Rosencrantz and Guildenstern Are Dead*, the study aims to illustrate how Stoppard's intertextual approach not only redefines the boundaries of traditional narratives but also challenges audiences to engage with literature and philosophy in innovative ways.
mag-2024
Settore L-LIN/10 - Letteratura Inglese
Sciarrino, C. (2024). Tom Stoppard e il professional fool tra canone e avanguardia.. In G. Benelli (a cura di), Annali dell'Istituto Armando Curcio (pp. 159-179). Istituto Armando Curcio University Press.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10447/639724
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