The paper reflects on the status of abstract art through the critical examination of three key notions of contemporary aesthetic reflection: form, figure, and gesture. The image of the labyrinth is used as a privileged interpretative filter of the notions at play. In this way, an attempt is made to outline a semiotics of abstract arts attentive to a mythical archetype, the labyrinth, with immense heuristic potential.
Francesco La Mantia (2024). Labirinto e Astrazione. Note di Semiotica delle Arti. INTRASFORMAZIONE, 13(1), 102-115.
Labirinto e Astrazione. Note di Semiotica delle Arti
Francesco La Mantia
2024-01-01
Abstract
The paper reflects on the status of abstract art through the critical examination of three key notions of contemporary aesthetic reflection: form, figure, and gesture. The image of the labyrinth is used as a privileged interpretative filter of the notions at play. In this way, an attempt is made to outline a semiotics of abstract arts attentive to a mythical archetype, the labyrinth, with immense heuristic potential.
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