Sira’s monologue in Merc. 817 ff. is one of the most well-known scenes in the play: she offers a surprising – and at times paradoxical – meditation on the behaviour of a husband and wife. In the ironic ‘feminism’ of this anus one inevitably glimpses literary constructions and problematic knots, capable of reviving, albeit with a comic smile, a subject of great cultural and legal relevance.
Maurizio Massimo Bianco (2024). “Tra moglie e marito”: la lunga eco del lamento di Sira (Plauto, Merc. 817 ss.). DIONISO, 14, 173-193.
“Tra moglie e marito”: la lunga eco del lamento di Sira (Plauto, Merc. 817 ss.)
Maurizio Massimo Bianco
2024-01-01
Abstract
Sira’s monologue in Merc. 817 ff. is one of the most well-known scenes in the play: she offers a surprising – and at times paradoxical – meditation on the behaviour of a husband and wife. In the ironic ‘feminism’ of this anus one inevitably glimpses literary constructions and problematic knots, capable of reviving, albeit with a comic smile, a subject of great cultural and legal relevance.
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