Interweaving the production on the contemporary Black Mediterranean with the recent Oceanic Turn (Peters, Anderson, Davies, Steinberg, 2022), which repositions the sea from the margin to the centre of the geographic discipline, this specific sea-space emerges as a space co-composed of two fundamental elements: the trans-colonial (Sharpe, 2016) wake (Harrison, 2018) that connects the pre-modern Black Medi-terranean to the Black Atlantic of modernity and the contemporary Black Mediterranean; the waves (de Spuches, Palermo, 2020; Palermo, 2023), matter and metaphor of moving bodies of challenge, resistance, conflicts. The latter, specifically, become re-genera(c)tions from the margin to im-agine and practice possible trans-Mediterranean alliances, thus revealing how thinking with the sea can function as a decolonial tool for decentral-ising the gaze on a space of colonial margins production such as the Black Mediterranean.
Gabriella Palermo (2023). Geografie more-than-wet del Mediterraneo Nero: marginalità, eccedenze, (ri)gener-azioni. DOCUMENTI GEOGRAFICI, 2, 25-44 [10.19246/DOCUGEO2281-7549/202302_03].
Geografie more-than-wet del Mediterraneo Nero: marginalità, eccedenze, (ri)gener-azioni
Gabriella Palermo
2023-01-01
Abstract
Interweaving the production on the contemporary Black Mediterranean with the recent Oceanic Turn (Peters, Anderson, Davies, Steinberg, 2022), which repositions the sea from the margin to the centre of the geographic discipline, this specific sea-space emerges as a space co-composed of two fundamental elements: the trans-colonial (Sharpe, 2016) wake (Harrison, 2018) that connects the pre-modern Black Medi-terranean to the Black Atlantic of modernity and the contemporary Black Mediterranean; the waves (de Spuches, Palermo, 2020; Palermo, 2023), matter and metaphor of moving bodies of challenge, resistance, conflicts. The latter, specifically, become re-genera(c)tions from the margin to im-agine and practice possible trans-Mediterranean alliances, thus revealing how thinking with the sea can function as a decolonial tool for decentral-ising the gaze on a space of colonial margins production such as the Black Mediterranean.File | Dimensione | Formato | |
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