The paper offers a contribution to the study of Lilibeo’s figured vases, which make extensive use of added color. The examination of some contexts allows us to clarify the old idea of a derivation of the Lilibetane vases from the workshops of Lipari, due to a displacement of artisans who would operate first in Lipari and then in Lilibeo (like the Swans Painter). It is not completely excludes the movement of craftsmen due to destructions or political changes. However it reconstructs complex interactions in which a main role had to play the influence and the action of medium exercised by the same imported artifacts (Lipari vases, mainly, but not only).

DE CESARE M (2023). La ceramica figurata lilibetana "in added colour": breve nota di riesame. In S. Bruni, Fiorini L (a cura di), Alla memoria di Francesco La Torre (pp. 51-57). Pisa : Edizioni ETS.

La ceramica figurata lilibetana "in added colour": breve nota di riesame

DE CESARE M
2023-01-01

Abstract

The paper offers a contribution to the study of Lilibeo’s figured vases, which make extensive use of added color. The examination of some contexts allows us to clarify the old idea of a derivation of the Lilibetane vases from the workshops of Lipari, due to a displacement of artisans who would operate first in Lipari and then in Lilibeo (like the Swans Painter). It is not completely excludes the movement of craftsmen due to destructions or political changes. However it reconstructs complex interactions in which a main role had to play the influence and the action of medium exercised by the same imported artifacts (Lipari vases, mainly, but not only).
2023
Settore L-ANT/07 - Archeologia Classica
DE CESARE M (2023). La ceramica figurata lilibetana "in added colour": breve nota di riesame. In S. Bruni, Fiorini L (a cura di), Alla memoria di Francesco La Torre (pp. 51-57). Pisa : Edizioni ETS.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10447/592233
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