The contribution analyzes Adriano Banchieri’s “La Pazzia Senile” (1598-59) both as a publishing product, following its genesis and fortune, and as a poetic-musical artifact, examining its compositional style and performative implications. An in-depth study is devoted in particular to the relationship between “La Pazzia Senile” and commedia dell'arte
privitera (2022). La Pazzia Senile e la sua regolata "fabrica". In Bentini J, Mioli P (a cura di), Il Dissonante Operoso. Adriano Banchieri, dotto e singolare musicista bolognese del Cinque-Seicento (pp. 193-216). Bologna : Pendragon.
La Pazzia Senile e la sua regolata "fabrica"
privitera
2022-01-01
Abstract
The contribution analyzes Adriano Banchieri’s “La Pazzia Senile” (1598-59) both as a publishing product, following its genesis and fortune, and as a poetic-musical artifact, examining its compositional style and performative implications. An in-depth study is devoted in particular to the relationship between “La Pazzia Senile” and commedia dell'arte
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