An exuberant vitality, critics say about the so-called Fugger cycle by Vincenzo Campi. A eulogy to morality, echoes Lucia Corrain echoes them in the book we have just finished, overturning the most widespread interpretation. What appears to many as a minor pictorial genre, a transient by-product of natura nature, even burlesque, here takes on, in this important essay on the semiotics of art, assumes, in this important essay on the semiotics of art, an entirely different, and much higher, historical and cultural, social and anthropological value. cultural, social and anthropological value.
Giovanni Marrone (2019). Postfazione a La pittura di mercato. In La pittura di mercato. Il “parlar coperto” nel ciclo Fugger di Vincenzo Campi (pp. 115-120). Milano : Mimesis.
Postfazione a La pittura di mercato
Giovanni Marrone
2019-01-01
Abstract
An exuberant vitality, critics say about the so-called Fugger cycle by Vincenzo Campi. A eulogy to morality, echoes Lucia Corrain echoes them in the book we have just finished, overturning the most widespread interpretation. What appears to many as a minor pictorial genre, a transient by-product of natura nature, even burlesque, here takes on, in this important essay on the semiotics of art, assumes, in this important essay on the semiotics of art, an entirely different, and much higher, historical and cultural, social and anthropological value. cultural, social and anthropological value.File | Dimensione | Formato | |
---|---|---|---|
postfazione Corrain Pittura di mercato.pdf
Solo gestori archvio
Descrizione: Articolo principale
Tipologia:
Versione Editoriale
Dimensione
129.68 kB
Formato
Adobe PDF
|
129.68 kB | Adobe PDF | Visualizza/Apri Richiedi una copia |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.