In the interpretation of his trained readers Sandro Penna has been the object of a great misunderstanding. For a long time his relationship with the greatest poetical works of his time has been hidden; it happened the same with the authors he could read during a long training. The most recent studies about Penna’s intertextuality focused on citations, limiting themselves to compiling a register, without considering the long duration of international cultural processes to which Penna himself refers. The name of Gabriele d’Annunzio is that of a certain actor among these processes, dealing above all with the poetics of symbol.
DEIDIER ROBERTO (2022). Gli oscuri turiboli del simbolo. Penna e d'Annunzio. ARCHIVIO D’ANNUNZIO, 9, 161-177 [10.30687/AdA/2421-292X].
Gli oscuri turiboli del simbolo. Penna e d'Annunzio
DEIDIER ROBERTO
2022-10-28
Abstract
In the interpretation of his trained readers Sandro Penna has been the object of a great misunderstanding. For a long time his relationship with the greatest poetical works of his time has been hidden; it happened the same with the authors he could read during a long training. The most recent studies about Penna’s intertextuality focused on citations, limiting themselves to compiling a register, without considering the long duration of international cultural processes to which Penna himself refers. The name of Gabriele d’Annunzio is that of a certain actor among these processes, dealing above all with the poetics of symbol.File | Dimensione | Formato | |
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