Observations on the canvas, due to the brush of Mario de Laurito, an elegant painter of composite culture active between Naples and Sicily in the first half of XVI century, it came to the Diocesan Museum of Palermo from the local church of the archconfraternity of the Santissima Annunziata "outside Porta San Giorgio "(late fifteenth - early sixteenth century, for which Travagliato 2010) fortunately shortly before the allied bombings on Palermo which between April and May 1943 caused the destruction (Guiotto 1946).
Travagliato, G. (2022). Mario di Laurito, Madonna dell’Itria, 1529-1536. In M. Marubbi (a cura di), Sofonisba Anguissola e la Madonna dell'Itria. Il culto dell'Hodighitria in Sicilia dal Medioevo all'Età Moderna (pp. 100-101). Busto Arsizio (Va) : Nomos Edizioni.
Mario di Laurito, Madonna dell’Itria, 1529-1536
Travagliato, Giovanni
2022-05-01
Abstract
Observations on the canvas, due to the brush of Mario de Laurito, an elegant painter of composite culture active between Naples and Sicily in the first half of XVI century, it came to the Diocesan Museum of Palermo from the local church of the archconfraternity of the Santissima Annunziata "outside Porta San Giorgio "(late fifteenth - early sixteenth century, for which Travagliato 2010) fortunately shortly before the allied bombings on Palermo which between April and May 1943 caused the destruction (Guiotto 1946).
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