This essay explores the crucible that was the 1970s, focusing on some female figures who – between «real life» and «printed word», history and fantasy – played a key role in uncovering customs and societal dynamics. From Eufrosina, via Donna Felice and her rebellious portrait, we reach Maria Sofia Queen of Naples who – as the eccentric main character of an impossible interview – helps outline Sciascia’s ethical tension through this ‘game’ of fictional conversation in the same year Todo modo was published
La Monaca (2021). La "farfalla" e la "regina". Profili di donne tra "la vita reale e il foglio di carta". TODOMODO, 11, 147-158.
La "farfalla" e la "regina". Profili di donne tra "la vita reale e il foglio di carta"
La Monaca
2021-01-01
Abstract
This essay explores the crucible that was the 1970s, focusing on some female figures who – between «real life» and «printed word», history and fantasy – played a key role in uncovering customs and societal dynamics. From Eufrosina, via Donna Felice and her rebellious portrait, we reach Maria Sofia Queen of Naples who – as the eccentric main character of an impossible interview – helps outline Sciascia’s ethical tension through this ‘game’ of fictional conversation in the same year Todo modo was published
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