The aim of this paper is to compare different perceptions of cultural landscapes: the landscape of a Hellenistic-Roman city, Halaesa, reconstructed through archaeological surveys, and the contemporary landscape – natural and cultural – that characterizes the Tusa river, so-called “Fiumara d’arte”, where some installations of modern art have been made. Here the modern art is integrated with the landscape, in which it seems to emphasize some peculiar aspects, result of complex interactions. This analysis allow us to use the archaeological data to understand the relationship between human activities the symbolic aspects which connect ancient and modern communities to their territories.
Burgio (2021). Paesaggio e memorie dell'antico: dall'archeologia all'arte contemporanea. In C. Costanzo, M. Limoncelli (a cura di), Antico e (è) contemporaneo (pp. 131-144). Palermo : Palermo University Press.
Paesaggio e memorie dell'antico: dall'archeologia all'arte contemporanea
Burgio
2021-10-01
Abstract
The aim of this paper is to compare different perceptions of cultural landscapes: the landscape of a Hellenistic-Roman city, Halaesa, reconstructed through archaeological surveys, and the contemporary landscape – natural and cultural – that characterizes the Tusa river, so-called “Fiumara d’arte”, where some installations of modern art have been made. Here the modern art is integrated with the landscape, in which it seems to emphasize some peculiar aspects, result of complex interactions. This analysis allow us to use the archaeological data to understand the relationship between human activities the symbolic aspects which connect ancient and modern communities to their territories.File | Dimensione | Formato | |
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