This paper analyzes the process, dating back to the last 50 years, which has seen the work of art approaching everyday life, with critical perspectives increasingly focused on processuality and performance. Therefore, a notion such as that of arti!cation – “process of processes”, according to Heinich and Shapiro – signals the paradox of the success of art at the time of its deconstruction. In this cultural climate, ethnographic museums reproduce, rework or draw on the languages of contemporary art, making them tools to overcome an essentialist notion of heritage but also to present multivocal interpretations and reflect on the processes that underlie “showing the dierence”. The “Antonio Pasqualino” International Puppet Museum has followed this path by combining a properly museographic activity with !eld research and the staging of shows, first essentially in continuity with tradition, then also with research and innovation. A museum of performance, a museum-narration, a place of ideas and not of things, which goes beyond the simple collection and becomes a meta-story, an “open work”.

Rosario Perricone (2019). Artificazioni delle performance: il caso del Museo Pasqualino. MANTICHORA, 9(9), 41-50.

Artificazioni delle performance: il caso del Museo Pasqualino

Rosario Perricone
2019

Abstract

This paper analyzes the process, dating back to the last 50 years, which has seen the work of art approaching everyday life, with critical perspectives increasingly focused on processuality and performance. Therefore, a notion such as that of arti!cation – “process of processes”, according to Heinich and Shapiro – signals the paradox of the success of art at the time of its deconstruction. In this cultural climate, ethnographic museums reproduce, rework or draw on the languages of contemporary art, making them tools to overcome an essentialist notion of heritage but also to present multivocal interpretations and reflect on the processes that underlie “showing the dierence”. The “Antonio Pasqualino” International Puppet Museum has followed this path by combining a properly museographic activity with !eld research and the staging of shows, first essentially in continuity with tradition, then also with research and innovation. A museum of performance, a museum-narration, a place of ideas and not of things, which goes beyond the simple collection and becomes a meta-story, an “open work”.
Settore M-DEA/01 - Discipline Demoetnoantropologiche
Rosario Perricone (2019). Artificazioni delle performance: il caso del Museo Pasqualino. MANTICHORA, 9(9), 41-50.
File in questo prodotto:
File Dimensione Formato  
Artificazione della performance - Mantichora n.9:2019 .pdf

Solo gestori archvio

Descrizione: Articolo principale
Tipologia: Versione Editoriale
Dimensione 922.7 kB
Formato Adobe PDF
922.7 kB Adobe PDF   Visualizza/Apri   Richiedi una copia

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: http://hdl.handle.net/10447/486152
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact