This contribution describes and reevaluates the Occupied Theatre Movements in Italy (2010-2017) from a marxist and post-structuralist perspective. It situates the theatre occupations in Italy in a broader genealogy of social movements and gives a phenomenological analysis of the specific forms of community-building that caracterize contemporary critique from the Left.
Strack, L. (2019). Teatro Bene Comune: Gedanken zum italienischen Theaterfrühling. In H.G. Held, D. Mazza, L. Strack (a cura di), Akustische Masken auf dem Theater/ Maschere acustiche in teatro. Text - Sprache - Performanz/ Testo - Lingua - Performance (pp. 193-202). Stuttgart : Franz Steiner Verlag.
Teatro Bene Comune: Gedanken zum italienischen Theaterfrühling
Strack, Laura
2019-01-01
Abstract
This contribution describes and reevaluates the Occupied Theatre Movements in Italy (2010-2017) from a marxist and post-structuralist perspective. It situates the theatre occupations in Italy in a broader genealogy of social movements and gives a phenomenological analysis of the specific forms of community-building that caracterize contemporary critique from the Left.
| File | Dimensione | Formato | |
|---|---|---|---|
|
Strack, Laura_Teatro bene comune_Franz Steiner_2019.pdf
Solo gestori archvio
Descrizione: copertina, indice, articolo
Tipologia:
Versione Editoriale
Dimensione
302.2 kB
Formato
Adobe PDF
|
302.2 kB | Adobe PDF | Visualizza/Apri Richiedi una copia |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
