This article examines the theatre of George Sand and the relation that the famous novelist entertained with the dramatic art, for which she had a great passion but the processes of which she did never come out very well. Many plays were successful for the large audience but the critics were more cautious. Her theatre, all the same, marks a renewal of theatrical art for which George Sand will be always a careful promoter.
Brudo, A. (2009). le théatre de frontière de George Sand(1840-1852). In J.G. A. Brudo (a cura di), Traversées Percorsi linguistico-letterari Studi per Giuliana Costa Ragusa (pp. 41-54). Palermo : Flaccovio.
le théatre de frontière de George Sand(1840-1852)
BRUDO, Annie
2009-01-01
Abstract
This article examines the theatre of George Sand and the relation that the famous novelist entertained with the dramatic art, for which she had a great passion but the processes of which she did never come out very well. Many plays were successful for the large audience but the critics were more cautious. Her theatre, all the same, marks a renewal of theatrical art for which George Sand will be always a careful promoter.
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