The Misfits (Huston, 1961) is the last film interpreted by Marilyn Monroe. The film is a precious observation point to analyze the triple figure of Marilyn Monroe: the character, the actress, the woman. The Misfits is the clear attempt to deconstruct the image of a diva, through the crisis of her own character. This is the condensed artistic and creative parable of Marilyn Monroe and, simultaneously, the most obvious sign of the end of the great Hollywood film industry.
Il saggio si occupa dell'ultimo film interpretato da Marilyn Monroe prima di morire, Gli Spostati
Alessia Cervini (2019). Tre volte Marilyn: grazie e destino di una diva ‘‘moderna’’. K, 2(1), 43-50.
Tre volte Marilyn: grazie e destino di una diva ‘‘moderna’’
Alessia Cervini
2019-01-01
Abstract
The Misfits (Huston, 1961) is the last film interpreted by Marilyn Monroe. The film is a precious observation point to analyze the triple figure of Marilyn Monroe: the character, the actress, the woman. The Misfits is the clear attempt to deconstruct the image of a diva, through the crisis of her own character. This is the condensed artistic and creative parable of Marilyn Monroe and, simultaneously, the most obvious sign of the end of the great Hollywood film industry.
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