Neuroaesthetics aims at working out a neurobiological theory of aesthetic experience that accounts for neural invariants of perceptual properties fo artworks. In this paper, arguments are proposed that deal with the specification of the intended domain of application, its implications for neurobiological evidence that qualifies as explanans, the contribution that a rigorous phenomenological explanation of the perceptual variety in visual and musical arts can give to an evolutionary account of the cognitive skills underlying arts.
CALI' C (2008). Neuroestetica e fenomenologia della percezione pittorica e musicale. RIVISTA DI ESTETICA, 37, 21-42 [10.4000/estetica.1976].
Neuroestetica e fenomenologia della percezione pittorica e musicale
CALI', Carmelo
2008-01-01
Abstract
Neuroaesthetics aims at working out a neurobiological theory of aesthetic experience that accounts for neural invariants of perceptual properties fo artworks. In this paper, arguments are proposed that deal with the specification of the intended domain of application, its implications for neurobiological evidence that qualifies as explanans, the contribution that a rigorous phenomenological explanation of the perceptual variety in visual and musical arts can give to an evolutionary account of the cognitive skills underlying arts.
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