PAOLO DI VITA 規則和/或情感 / PAOLO DI VITA, the rule and/or the emotion

Paolo Di Vita是 - 如果我們試圖用一個形容詞來描述他 - 一個謹慎的平面設計師，這種品質不僅區分了他的作品，也區別於他的氣質。從這個意義上說，他私人生活和職業生活的兩個領域相互配合，相互滲透，產生了和諧的連貫性，勾勒出一個具有明確的道德和責任觀念的人物。外觀並不起次要作用，相反，它有助於我們進入並理解其設計世界，在那裡沒有形式主義，流行趨勢，奉承或眨眼的方式。所使用的每一個元素，無論是顏色，形狀，字體還是圖像，都是明智的比例，因為廚師會在配料中加入配料，這些配料不會對口感產生即時的慷慨影響，但需要一些時間才能產生。自己起來，慢慢品味。 同樣，Paolo Di Vita的作品有時呈現出外觀粗糙，這是一種阻礙觀察者立即參與的障礙，因為它們並不總是容易掌握並需要進一步努力才能完全理解除了在表面，也是更隱蔽的層面，紙張上建立的連接網絡支持強烈的緊張情緒，有時通過虛線，切口和划痕可見。

Paolo Di Vita is - if we would try to describe him with an adjective - a discreet graphic designer, and this is a quality which distinguishes not just his work but also his temperament. In this sense, the two spheres of his private and professional life, well match and permeate each other, generating a harmonious coherence, outlining a figure with a definite concept of ethics and responsibility. The appearence doesn’t play a secondary role, on the contrary it helps us enter and understand its design universe, where there is no place for formalisms, fleeting trends, flattering or winking ways. Every element used, whether color, shape, font or image, is wisely proportioned, as a chef would do in dosing the ingredients for the preparation of dishes which don’t have an instant generous impact with the palate, but need some time before yielding up themselves, letting be slowly savoured. Similarly, Paolo Di Vita works sometimes present an exterior roughness , a sort of barrier which prevents the observer from an immediate involvement, as they don’t always allow an easy grasp and demand a further effort in order to fully understand besides what’s shown on the surface, also what’s in a more hidden level, where a network of connections establishes on the paper support strong tension moods, which sometimes are made visible by broken lines, cuts and scratches.