The pictorial topic of “Annunciation” gives the possibility of an understanding of Heidegger’s masterful reading of announcement as Erscheinung in its distinction from Phänomen as self-manifestation. In particular, three paintings – L’annunciazione di Recanati by Lorenzo Lotto, Ecce Ancilla Domini by Dante Gabriel Rossetti, The Annunciation by John William Waterhouse – allow in the analysis of announcement a reference to subjectivity as receiver which is grasped in its primordial passivity, but also in its capacity of answering and self-positioning in front of announcement.
Lupo, R. (2015). Il soggetto dell'annuncio. GIORNALE DI METAFISICA, 2/2015(2/2015), 301-321.
Il soggetto dell'annuncio
LUPO, Rosa Maria
2015-01-01
Abstract
The pictorial topic of “Annunciation” gives the possibility of an understanding of Heidegger’s masterful reading of announcement as Erscheinung in its distinction from Phänomen as self-manifestation. In particular, three paintings – L’annunciazione di Recanati by Lorenzo Lotto, Ecce Ancilla Domini by Dante Gabriel Rossetti, The Annunciation by John William Waterhouse – allow in the analysis of announcement a reference to subjectivity as receiver which is grasped in its primordial passivity, but also in its capacity of answering and self-positioning in front of announcement.File | Dimensione | Formato | |
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