Archivio istituzionale della ricerca dell'Università degli Studi di Palermo
IRIS è il sistema di gestione integrata dei dati della ricerca (persone, pubblicazioni, progetti, attività) adottato dall’Università di Palermo, e ha lo scopo di raccogliere, conservare, documentare, e diffondere ad accesso aperto le informazioni relative alla produzione scientifica degli autori afferenti all’Ateneo.
EnglishThe restoration of the wooden statue of San Nicola di Mira – usually known as San Nicola di Bari – at the Diocesan Museum of Palermo, is the result of a cooperation among art historians, restorers, physicists, chemists, biologists and geologists. The intervention was carried out by following a series of historical and scientific surveys which allowed to study the object in depth and to recover it its originality. The restoration took place in a hall of the Diocesan Museum, fitted out as a laboratory, according to rigorous scientific rules and to Cesare Brandi’s restorationtheory. So, the statue went back, as far as possible, to its ancient splendour; moreover, some details re-emerged, that had been so far buried under the patinas of the past.
Amadori, M., Camaiti, M., Di Natale, M., Lazzeri, S., Maccotta, A., & Franco, P. (2006). Indagini diagnostiche e restauro della statua lignea di San Nicola di Mira. ARKOS, 13, 40-47.
| Data di pubblicazione: | 2006 |
| Titolo: | Indagini diagnostiche e restauro della statua lignea di San Nicola di Mira |
| Autori: | |
| Citazione: | Amadori, M., Camaiti, M., Di Natale, M., Lazzeri, S., Maccotta, A., & Franco, P. (2006). Indagini diagnostiche e restauro della statua lignea di San Nicola di Mira. ARKOS, 13, 40-47. |
| Rivista: | |
| Abstract: | The restoration of the wooden statue of San Nicola di Mira – usually known as San Nicola di Bari – at the Diocesan Museum of Palermo, is the result of a cooperation among art historians, restorers, physicists, chemists, biologists and geologists. The intervention was carried out by following a series of historical and scientific surveys which allowed to study the object in depth and to recover it its originality. The restoration took place in a hall of the Diocesan Museum, fitted out as a laboratory, according to rigorous scientific rules and to Cesare Brandi’s restorationtheory. So, the statue went back, as far as possible, to its ancient splendour; moreover, some details re-emerged, that had been so far buried under the patinas of the past. |
| Appare nelle tipologie: | 1.01 Articolo in rivista |
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