If the origin of the aesthetic attitude is a complex performance, which involves a multiplicity of interactions in our cognitive, attentional and experiential endowment, as more and more decided aesthetic thinking, philosophy of mind and life sciences lead to point out, and if from these interactions only it’s possible to understand the creative nature of human reasoning, which manifests itself in an exemplary way in the artistic activity and aesthetic attention, then the evolutionary morphology is the best candidate for the development of effective tools for the analysis of these aesthetic performance, as well as a rich reservoir of themes and terminology capable of supporting such analysis.
Tedesco, S. (2015). Compositional Homology and Creative Thinking. AISTHESIS, 8(1), 91-100.
Compositional Homology and Creative Thinking
TEDESCO, Salvatore
2015-01-01
Abstract
If the origin of the aesthetic attitude is a complex performance, which involves a multiplicity of interactions in our cognitive, attentional and experiential endowment, as more and more decided aesthetic thinking, philosophy of mind and life sciences lead to point out, and if from these interactions only it’s possible to understand the creative nature of human reasoning, which manifests itself in an exemplary way in the artistic activity and aesthetic attention, then the evolutionary morphology is the best candidate for the development of effective tools for the analysis of these aesthetic performance, as well as a rich reservoir of themes and terminology capable of supporting such analysis.
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