This article examines the relationship between fiction and reality in the opera according to the approach of Rousseau and Diderot. The ambiguous and contradictory definition of this relationship brought Rousseau to remove the singing from the opera and to invent a new genre, the "mélodrame". It was a very paradoxical solution that Diderot could have shared as this article tries to prove.
Collisani, A. (2014). Paradoxe sur le théâtre lyrique. La réforme de l'opéra entre Rousseau et Diderot. In Rousseau Studies (pp. 211-222). Slatkine.
Paradoxe sur le théâtre lyrique. La réforme de l'opéra entre Rousseau et Diderot
COLLISANI, Amalia
2014-01-01
Abstract
This article examines the relationship between fiction and reality in the opera according to the approach of Rousseau and Diderot. The ambiguous and contradictory definition of this relationship brought Rousseau to remove the singing from the opera and to invent a new genre, the "mélodrame". It was a very paradoxical solution that Diderot could have shared as this article tries to prove.
File in questo prodotto:
| File | Dimensione | Formato | |
|---|---|---|---|
|
Rousseau et Diderot.pdf
Solo gestori archvio
Dimensione
544.73 kB
Formato
Adobe PDF
|
544.73 kB | Adobe PDF | Visualizza/Apri Richiedi una copia |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
