Since the meaning of the design in the XIX Century, “applied art” (to the industry), till today's Designart, through the artidesign (a mix of art, design and craft), the boundary among art and design has been often unsettled. During the 50’s, Max Bill has defined “hairdresser” the designer who focuses on the shape rather than the function. Nowadays, we are surrounded by more and more products with high symbolic level designed to state their aesthetic configuration. Nothing against the communicative value of the product. However, what happens when it affects the usability?

Russo, D. (2015). Oggetto d'arte quotidiana. In Giovanni Matteucci (a cura di), Estetica e pratica del quotidiano. Oggetto, esperienza, design (pp. 115-123). Sesto San Giovanni (MI) : Mimesis Edizioni.

Oggetto d'arte quotidiana

RUSSO, Dario
2015-01-01

Abstract

Since the meaning of the design in the XIX Century, “applied art” (to the industry), till today's Designart, through the artidesign (a mix of art, design and craft), the boundary among art and design has been often unsettled. During the 50’s, Max Bill has defined “hairdresser” the designer who focuses on the shape rather than the function. Nowadays, we are surrounded by more and more products with high symbolic level designed to state their aesthetic configuration. Nothing against the communicative value of the product. However, what happens when it affects the usability?
2015
Settore ICAR/13 - Disegno Industriale
Russo, D. (2015). Oggetto d'arte quotidiana. In Giovanni Matteucci (a cura di), Estetica e pratica del quotidiano. Oggetto, esperienza, design (pp. 115-123). Sesto San Giovanni (MI) : Mimesis Edizioni.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10447/95269
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