How can the art practice of self-representation be ported to sonic arts? In S’i’ fosse suono, brief sonic self-portraits are arranged in the form of an audiovisual checkerboard. The recorded non-verbal vocal sounds were used as sketches for synthetic renderings, using two seemingly distant sound modeling techniques. Through this piece, the authors elaborate on the ideas of self-portrait, vocal sketching, and sketching in sound design. The artistic exploration gives insights on how vocal utterances may be automatically converted to synthetic sounds, and ultimately how designers may effectively sketch in the domain of sound.
Andrea Cera, Davide Andrea Mauro, Davide Rocchesso (2016). Sonic in(tro)spection by vocal sketching. In A. Terzaroli, A. Valle (a cura di), Extending interactivity. Atti del XXI CIM - Colloquio di Informatica Musicale (pp. 198-202). Cagliari : DADI - Dip. Arti e Design Industriale. Università IUAV di Venezia.
Sonic in(tro)spection by vocal sketching
Davide Rocchesso
2016-01-01
Abstract
How can the art practice of self-representation be ported to sonic arts? In S’i’ fosse suono, brief sonic self-portraits are arranged in the form of an audiovisual checkerboard. The recorded non-verbal vocal sounds were used as sketches for synthetic renderings, using two seemingly distant sound modeling techniques. Through this piece, the authors elaborate on the ideas of self-portrait, vocal sketching, and sketching in sound design. The artistic exploration gives insights on how vocal utterances may be automatically converted to synthetic sounds, and ultimately how designers may effectively sketch in the domain of sound.File | Dimensione | Formato | |
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